Tuesday, December 09, 2008

Man badly beaten in Shreveport for wearing Obama t-shirt



Via my good friend Versha, I found out a very great member of the Shreveport for Obama team, Kaylon Johnson was involved in a horrific beating this Saturday:

On Saturday night at a gas station in Shreveport, he was accosted by two white males who were yelling racial slurs, incensed by the Obama bumper stickers on Kaylon's car and the Obama t-shirt Kaylon was wearing. He waved them off, but when he came out of the gas station, they jumped on him.

Kaylon was badly beaten and has sustained several head injuries. He will have surgery on Friday to repair a broken eye socket, broken nose, and torn tear duct.

Read more...

Friday, December 05, 2008

Dot Net Nuke and Mootools

I really like the Javascript framework Mootools and some of the extensions and such that have been built for Joomla with it. Unfortunately, my company website runs on Dot Net Nuke and it looks like Mootools and Dot Net Nuke don't play well together.

I had a hard time finding any indication in Google searches for this - so I just thought I'd document it here. If I ever get anything with Mootools to work again, I'll post an update. So far it looks like DNN will play nice with Prototype so that may be the route to go if you want to use one of these ever popular Javascript frameworks with DNN.

EDIT: Per R Doom in the comments I checked out what I could do with JQuery. It works well enough with DNN but you've got to over ride $ functions using calling the neato noConflict ():


<html>
<head>
<script src="jquery.js"></script>
<script>
jQuery.noConflict();

// Use jQuery via jQuery(...)
jQuery(document).ready(function(){
jQuery("div").hide();
});

</script>
</head>
<body></body>
</html>


More info here about noConflict.

Tuesday, December 02, 2008

Typographic animations to Jay Z

Yet another beautiful typographic illustration from Evan Roth of Graffiti Research Lab, this time to Jay Z's Brooklyn Go Hard:

Jay-Z on iLike - Get updates inside iTunes





Oh and you can download the source code here. Open source love.

Saturday, October 18, 2008

Keynote Address: Stephen Graham

Stephen Graham "Ambient Intelligence and the Politics of Urban Space"

Dana Cuff "Enacted Environments" - Representation of future urban space as augmented, city lives through bombardment of information interactions.

The modern city exists as a haze of software instructions" Ash Amin & Nigel Thrift

Four ways of thinking about the new ambient intelligence:
  • There's not a real/virtual binary, but rather a process of urban 'remediation.' (think Bolter and Grusin)
  • Cities are 'fluid machines' which combine distant proximity with 'proximate distance.' Think experiencing the distancing in a 'local' context.
  • Systems are most important when they are less visible and most important. They become the ordinary world of the city. They are visible when they fail (Susan Leigh-Star). These systems are built in modular components
  • The Automatic production of space produces a new urban-technological politics.

Friction-Free Capitalism - individually customized, surveillance is customized, real time. Perfect flow complete efficiency and annihilation of space through time.

RFIDS - smooth flow, just in time management, ubiquitous tracking. You can get it even when you think you don't need it.

Software Sorted Mobilities - makes possible the movement of old infrastructures into new markets (paying more for more efficient mobility on highways etc. paying for premium services in everyday processes) Filtering by the profiles in databases, Internet packets, biometric passports. Malls sensing particular individuals, store sent txts with discounts. Hyper filtering of the wanted and distancing from the unwanted.
Korea Digital Media City on the edge of Seoul

Securitization and Militarization of urban space. Technologies of risk management and means of prosecuting warfare are about targeting mobiles bodies and transactions that are threatening (Louise Amoore). Are we moving toward passage-point urbanism? The city as the threat, because this is where the security threats lurk. Everything must be justified in advance of its presence in the city within passage-point urbanism. Think of cyberwarfare "battlespace" - everywhere is a battlefield in the new militarism. It is ongoing, not a war you go in and out of. Artist Jordan Crandall: a militarization through 'Armed Vision': "tracking is an anticipatory form of seeing." One way collapse, the security anticipates before you arrive. Every time you fly out of the UK there are 53 variables that go into play deciding whether or not you are a threat.

Surveillence Creep: Embedded system become securitized. Means of management to a means of security. The city can be seen as clutter of concealment by the military. Enemy leaders look like everyone else, enemy vehicles look like civilian vehicles, etc. Need for close-in terrestial means of tracking - continual development and early deployment. Dreams of transparency, boomerang effect described by Foucault (the warzone connects to the domestic techniques of government). Biometrics replace id cards, etc.

Penetrating the clutter of the city (Paul Virilio): heads up display with overlays to get through and understand. DOD with a single uninterruptible database with biometric information: Fusion Centers. Cyberpunk visions are influencing military research. Automated targeting that happens through 'normal' and 'abnormal' - military utilizes geo-cultural norms to determine if something is not right. Algorithms with agency will find targets that need attention: figure out what normal behaviors what are not - politics of code become important as who will make those decisions? CCTV does this, analyzing the activities of people in crowds and gives enforcers the ability to respond immediately. Unmanned vehicles and weapons can target specific "threats."

Art and Activism: Re-enchanting, re-animating, re-politizing the city? These artists challenge the sanitized and transparent corporate and commercial spaces and militarized and securitized spaces. They re-appropriate the technology and use it to address aliented experiences, outing authorial empowerment. Remediate cities in a highly democratic way: Murmur project Kensington Toronto, stories linked to sites. Grafedia project allows people to write on objects of the city through cellphones. Yellow Arrow Guerrilla Mapping projects, allows people to tag and annotate the city through stickers and a web interface. RFID tag artists: Paul Roush (scroll down for interview) utilizes them in public transport to create sound environments. David Kousemaker iTea, RFID tags created searches depending on the person they were for on a table-based interface. Meghan Trainor puts them in uncatorgizable objects (she's made them).

Animating the Past: Digital Collective Memory. As moving around the city you can bring up archived information, an interface to collective memory that is contributed to by participants.
Animating the present: annotating the current place, personalized maps. Mapping emotion responses (Christian Nold's Greenwich emotion map - arousal surfaces.
Opening the City as Gamespace: Asphalt Games. Allow games to move out of cyberspace and into the city (flashmobs, etc.).

Counter-Geopolitics: You Are Not Here Counter geo-political project. In Manhattan you can be given parallel information about Baghdad. Paula Levine, Shadows from another Place: leave artifacts, similar to YANH.

Appropriate of military technologies. Counter Reconnaissance create a counter consciousness - sousveillence. Removes tech from an imperial structure.

There are three logics that are struggling to become fixed into infrastructure. Now is a moment of experimentation and the politics are relatively open. Graham worries that these opportunities will not last long as sentient intelligences become the city. We must look at how far off distances are become immediate spatio-temporailties. How are technophilic dreams enacted and mobilized. We must expose how new technological politics can be visible rather than hidden. How can we open up the politics of code? We must prevent dominance and normalization of militarized and consumerized logics based on software-sorting, targeting, militarization and neoliberalization.


Stephen Graham

Notes on Gender on the Internet Presentations

Holly Kruse "Gender & Interactive Media Environments: A Case Study"

Horseracing and Interactive Media

Using the Internet to bet, or going into the physical space.
Kruse is concerned with presence and whether or not it is gendered. Think about para mutial betting - many people are influencing the odds but we don't sense who they are or where they are.

Gender and age are both factors in Off Track Betting (OTB) sites.

Women liked that the betting seemed private, time to figure out how to bet without pressure from others. They missed seeing the horses in person

Men liked the bar, being with friends at OTB. Women didn't like being around the other patrons, and they missed the horses at OTB.

Preferences on using the Internet to bet may be attributed to the use of the home (men = leisure, women = work)


Denise N. Rall "Craft in the Age of the Internet"

StitchnBitch movement where women meet in public places to knit
What is traditional craft? Involves environment, technologies, indigenous practices.

Spinning influenced cultural meanings in Peru because it was responsible for creating the clothing that labeled people as part of a hierarchical organization/status orientation.

Machinery is more important than care to the self. So where is protest part of spinning? Ghandi made hand spinning the visual icon for his nonviolent protest movement. StitchnBitch claims that craft + protest was rooted in the 1960's - Rail believes it goes much further back. Women were first given independent work and incomes in during the Industrial revolution as a result of the mechanization of spinning and weaving. Rail doesn't think people were knitting while protests were happening.

Home craft experienced a break after mechanization. Think Bauhaus the home as a "machine for living"

Digital Domesticana. Martha Stewart exploded, Needlecraft is now worth 1.07 Billion. Knitting now has new imagery: knit "chic." Urban vs. rural economy: the Internet plays a huge role in Urban areas because of its speed and reach. The Internet fails for people in rural communities because the networks are locally built and you learn in the home and strong connection to land argriculture and animals. Urban communities can reconfigure traditional elements. Representations, crafts should be kinky and it tells the home craft person that they need the expertise of professional crafts and you can't DIY. But isn't that just extending your social network? Just because a professional is in your social network doesn't mean you can't learn from them. Spinning is different because active pursuit of the craft is rare and its hard to learn from the book. Finding a specialized practitioner is almost necessary

Marj Kibby "Not Sleeping with the Band: Female Fandom Online"

Hysterical female fans of the Beatles in 1964 - it was one of the few roles available to women at the time in music. Female music fan's experience is mediated as a pre-teen idolization rather than a mature appreciation of music culture. The Internet has changed music culture and music fandom is experienced through access to music and other fans. Music zines and music blogs, from the bedroom to the street - music culture is more public. Women are more likely to participate when they know what they are saying is accurate and won't make them look stupid.

Both males and females feel as though they have a personal relationship with bands on MySpace. Both males and females talk about their personal feelings outside of the band using messaging systems (had a bad day, glad to be among friends, ex.)

What the Internet provides is enhanced opportunities a greater variety of experiences and increased returns for effort. Woman can view themselves as music fanatics instead of groupies.

Sarah Bocciardi Bassett "Performing Themselves: Women's Identity Strategies in World of Warcraft"

Games girls play: Games marketed to girls, games marketed to men that women like (Halo, etc.) Are there ways that women play sexist games and subvert it? Are identities fixed or fluid?

Sample is not casual gamers, these are women with multiple 70 level plus characters.
Strategies:
Portrayed themselves as very feminine, flirting and playing up their gender. They did this because there were rewards: help, free stuff. Using gender to advantage
Make gender a non-issue. Didn't disclose gender to anyone except close friends. Need to monitor chat and looked down on very feminine women, wanted to exceed because they're good players.
One respondent took on a very masculine role. Gave her more authority, people listened to her more. When she played as a women people really tried to help her. In her guild people knew she was a woman, can flirt etc. but assumes authority as well.

Role playing was seen as creating fiction. Others saw this as an opportunity to have an outlet on their true identity without judgement. Many tried to fight sexism actively.

Women want to play games marketed to men, but they need to be marketed to. Identities may be more fixed than we thought. Its very had to maintain outside Internet identities as members network outside of WOW.

Notes on Youth presentations at IR9

David Gurzick "Rethinking Recruitment for Adolescent Online Communities"

Adolescents have very obviously become a driving force in utilizing new technologies. David defines them as 12-19.

Which methods are successful in getting adolescents to register for online communities? Did this method have any impact on their level of participation? David and colleagues created a community and recruited youth to participate. FieldTrip is a media rich FieldTrip to stimulate teenagers to think about ownership of education. Youth made digital videos to discuss their beliefs and attitudes about education and learning. David's research group hired the same company that edited the Wire to edit video from the youth.

Recruitment started one month prior using snowballing emails (to UMBC faculty and undergrads) and flyers with incentives. Created groups on Facebook and MySpace and posted to related groups also utilized craigslist. Parents wouldn't be aware of what they were producing and everyone was anonymous as no one could disclose personal information. Adolescents were most responsive to joining an online community through authority figure prompted solicitation (they actually went through with registration

Were there higher levels of engagement from peer prompted solicitation? David notes that the level of participation (number of logins, content viewed and postings) wasn't varied at all based on the recruitment method. Qualitative research found the same result.

David suggests utilizing the best recruitment method that fits with your available resources.

http://www.UMBC.edu/fieldtrip

Henry Mainsah "Ethnic minority youths' expression of identity on a Norwegian social network site"

Henry is looking at how minority youth utilize the Internet in Norway particularly through patterns of self-representation. How do self-authored profiles serve as platforms for reproducing or resisting the main identity narratives that shape the Norwegian multi-cultural space. He finds that people have fragmented and fluid identities online and produce "new ethnicities" particularly among transnational youth

Biip.no is very popular among youth of 15-20 and functions as an SNS in Norwegian. Mainsah has utilized virtual ethonography as he's participated in many SNSes that youth use and has gained an understanding of how these are utilized by youth.

An examination of screen names includes these references:
  • Ethnicity/Nationality: Chilena, Afghan Mafia, Cuban Sugar - these reinforce their nation of origin
  • Indexing race: Chocolate, Vanilla, Latte, Brown Sugar - reference physical features. In their profile some will write personal narratives and others will write about their ethnicity as collective identity: "Roses are red but LATINOS are everywhere!"
  • They also mix language codes, mixing other languages with other slang terms from other languages.

Cultural reproduction through hybridity, creolisation, bricolage. In this case macro-society really shapes how people display themselves online, not necessarily resisting, but often reaffirming normative views

Nadia Kutscher "Worlds Apart? Virtual Spaces of Youth People: The Power of Cultural Capital while using the Internet"

Kutscher is interested in how educational inequality shape participants in Germany.

Attitudes toward Internet use:
  • Leisure oriented Internet use
  • Information-oriented Internet use (high formal education background, frequent Internet users, focused Internet use, they shop, use wikis, they also often utilize it for Internet)
  • Establishing new social networks/relationships (like to chat, register for new sites, often younger)

People surveyed often visited ebay.de and google.de. wikipedia.de never heard of netzcheckers.de lizzynet.de fluter.de. A correlation analysis shows that wikipedia was utilized by mostly formally high educated and Knuddels used by those with a low educational background.

Certain groups will dominate particular sites with views and construct meanings of these spaces/websites. Construction is in flux between website makers and website users, informed by a variety of factors (educational background, targeted audience, actual use of the site), reproduce resource inequalities. Unequal options of mobility can be reconstructed according to the availability of resources. There is a process of social closure which exclude some and make it more exclusive for constituents.

Lynn Schofield Clark "Digital Media and the Generation Gap"

How families utilize digital media to maintain/enhance family ties: Media Rich & Time Poor. How families articulate authority and how teens view attempts of authority in digital media practices.

Lower income families are of course time poor as well, and have more time burdens than gentrified communities: chronic health conditions, extra jobs, etc. The role of digital media is different, but strategies are the same.

Youth people from 1st gen immigrant families - part digital part dream (better futures, "living large"). Want to value culture, but also want to be part of digital environment.

Rise of reflexive parenting - parents need to choose how they parent and how they construct media that reflects that type of parenting. Patterns of authority show that authoritative notions are most effective. What are parental concerns about Digital Media? How do young people interpret that? How do they respond?

Parental concerns:
  • Predators
  • Porn
  • Bad morals
  • Abduction
  • Lack of experience shapes this
  • limited experience shapes this

One child was annoyed with the idea that she would look at porn, knows that her parents trust her. Parents trust her to self-regulate.

Time limited at places where youth were utilizing Internet (family's house, library).

Many believe that abductions are common through the Internet. Youth know that parents believe they don't need to use Internet much, and that they have no real idea what they're doing.

None intentionally restrictive, emphasis on trust; frustrated by what parents were worried about.

Parent strategies relied on others to snoop on children online. Youth will buy their own methods of communication, and deregulate.

Teen strategies: educate parents to gain trust. Rebuffing parents concerns "times are different now." Denigrating and lying: making fun of parent's ignorance of what's going on with the Internet. Just telling parents they've stopped posting pictures when they're concerned, only use it to talk to friends, etc.

Secondary strategies: older siblings will take on parental roles by monitoring use, buying their own technologies and paying the bills (purchasing autonomy).


Gregory Donovon "Whose Safety, Whose Security? Situating Young People in Cyberspace"

Increased surveillance and censorship expands youth's digital footprints and greater mystification of their informational environments.

Young People as Victims:
  • To catch a predator
  • Access to cyberporn in magazines
  • Government advertising as potential drug use, "everyone's space"
  • theantidrug.com teaches parents to snoop
  • Naive children as a perpetuated narrative which is usually inaccurate

Young People as Charismatic Consumers:
  • Informational ideal
  • Young people are in themselves marketers

Young People are Criminals:
Filesharing, hackers, copyright infringers

Young people as Actors:
  • HR4437 protests organized through new media to bypass authorities (depends on a trusted network)
  • Circumventing filters with proxy servers, Peacefire.org

Partcipatory research practices - how can this create an empowered youth citizenry?
  • I Spy Surveillence - identify things that were collecting information about them online (looking at cookies, taking pictures of security cameras) reflect on behavioral modifications
  • Digital Device Timeline - evocative devices and reflect on how it shaped their identit
  • Digital auto-ethnography - bookmarking services, classification of browsing behaviors with reflection

Thursday, October 16, 2008

Notes on Presentations during "The Role of Digital Images and Photos Online"

Soren Petersen: The new role of digital images and photos online

Flickr use in Copenhagen

Picture vs. Photo
  • Photographs with fancy cameras, picture with camera phones.
  • Documentation, presents a "hat" or a "beach": these are photographs used in ads
  • A photo with aesthetics, the example has a very low depth of field so the background is out of focus
  • A picture has little aesthetics, it is grainy and it has notes and comments attached to it. Encourages interaction with the image.

A photo comment is from a viewer/spectator and a picture from a person who can relate on the basis of common everyday experiences. This may be why people post many banal images to web.

Lefebvre's triadic concept of everyday life: daily life, the Everyday (media, urbanism, bureaucratic), Everydayness (effective character, understood as shared but unrepresentable...desire of everyday life)

Sensations - Deleuze. When people take a picture of everyday experience they want to transmit the sensation of the experience. Everydayness then becomes the sensation of moblogging.

Concept of being the the world, the collective experience. Unity of sensing and the sense (Deleuze on Francis Bacon) Aesthetic differences between the photo and picture > experiencing commonality through banality and enjoying the everydayness. This may be why mobloggers have a hard time explaining why they take such pictures. Pictures gather meaning through the meta-textual context they are in (think comments on flickr)

How can we apply this to youtube, and things such as tazering videos which we often watch out of disbelief. does this appeal to the fantasy that we experience within everydayness?




Larissa Hjorth "Re-imagine Mobility: A Conceptual Reflection Upon Gendered Mobile Media in the Asia-Pacific

This was an amazing video that completely bombarded the viewer with tons of information about how gendered use of technology has been utilized in commercial and communicative means. I wish this was available somewhere!

Edgar Gomez, Amparo Lasen: Digital Photography and Picture Sharing: Redefining the Public/Private Divide.

Subjectification Process involve the shaping of the self and being subject to others, photography can enable this.
Flickr study: Who is this girl? Group in Madrid. Creates lively discussion about what is public and private. Girl was found and told about it and she freaked about being discussed as a subject. The concept of public is transforming..

Configuration of self through self-portraiture. Pictures of the body, sometimes involving nudity usually taken in private places. Shaping the perceptions of others and controlling the external gaze. Show what's interesting. This is part of the contemporary embodiment process.

The definition of privacy is now key on having control over who knows what about you See Livingstone, 2008 Who can access information about you.

Digital photography is taking par tin the definition of what is suitable and can be expected when being in a public place.

Convergence of digital photog and the Internet contributes to a new complex gaze.


Andrew Cox
Photoshop contests on Flickr
Looks at Photoshop Tennis: no ending point, multiple players. with player nominated rules (have fun, photorealism/no cartoons, themes, etc.)
Worth1000 often has more complicated rules focused toward a reward, rules are casual. Focus is on maximum participation rather than on PST there is an emphasis on quality.

Notes from Mimi Ito's talk: "Hanging Out, Messing Around, and Geeking Out: Genres of Youth Participation in Networked Publics"

Presentation about Teens engaging in video games, digital media production
Found youth through parent networks, youth programs
Social and cultural factors driving innovation "translators"

Rise in teens use due to:
  • Growing availability of tools
  • Sharing with public visibility

Youth Networked Publics were geeky, but now they are more mainstream, "domesticated." These are placed within the context of regular interaction readily accessible persistent, specialized and broader context for publicity.

Genres of participation:
Tie together structures of participation and engagement with media/social groups
  • Friendship-driven participation - Hanging out within online spaces without restrictions on mobility and school with privacy. CJ Pascoe ("Living Digital") has done research on romantic relationships between teens through social networks. Notes that teens prefer to meet people in person first, not on Facebook. FB comes second. Teens use sns to overcome restrictions in their local social network. Media literacy comes through these everyday activites (web design, video production). Casual messing around can lead to "geeked out" participation
  • Interest-driven participation - Passion and interest drive these interactions. Exemplify the potential to change social worlds teens have access to. Expand beyond local social groups, niche knowledge, broader context for disseminating information. Most youth aren't participating, but Ito sees a possible expansion in the future.

Fansubbing anime is Mimi Ito's current research interest. Amateur fan networks will subtitle videos that aren't released in the US. Often these fans sub videos are the only access to particular shows. Speed focused groups will typically get a video out after 24 hours of release. Often extremely collaborative and specialized someone who records the show, typesetter, translators, quality checkers, editors, etc. Fans take high level of ownership with the products that fansub communities output. Often they'll critique fansubs and compare along very detailed standards. Improve craft, some peer pressure involved here - but focus in on creating and improving fansubs. They want to gain notoriety for their work, many downloads and views.
Anime Remix Videos. Ito shows us an AMV that shows a woman getting interested in AMV and her process. Kudos for showing a woman since fan remix videos are a very feminist approach and women have taken a huge role in producing these videos. Interestingly, the video shows a high level of self-deprecation that I think is common among video remixers. I like AMV's because they aren't concerned with the legitimacy that most remix videos are concerned with (i.e. Disney mashups that include the title screen, re-dubs where lips matching voiceovers matters). Transmedia videos like this one really push the boundaries of the reality of a story or show's universe - which what remix was all about initially. Video editing skills may not be encouraged locally, but through online communities, teens can become "greater gods" of editing.
There is a high level of self-deprecation among fansubbers and remixers - Is this a practice that is required to become legitimate among a community? There are specific levels of involvement with AMV communities and levels of engagement/induction. However, there are low barriers of entry.

Back to teens in public networks:
Learning in networked publics for youth happens through observing and practicing - outside of typical structures of school and limited access to peers. Experimenting with adult like autonomy. Stakes for participation are raised, consequences for publishing all this stuff, delayed gratification. Youth are engaged with the result is immediate. Adults will having to catch up to learning and innovating online.

Some youth have disabled the ability to have a top 8 to avoid social pressures.
Parodies are typically male genres, relationships are female dominated.

Hypersociality - more digital media tokens.

Report coming soon - November 2008 at http://digitalyouth.ischool.berkeley.edu

Blogging from AOIR 9

I'll be blogging various talks and such from the Association of Internet Researchers Conference in Copenhagen over the next few days. There's just rough notes, but I'll do a round up of awesome stuff afterward!

Wednesday, June 25, 2008

Carl J. Couch Research Award

I'm very flattered that a chapter of my master's thesis, "Your World, Your Imagination?: Representation and Social Expectations in Virtual Memorials" received the Carl J. Couch Research Award this past week. As a result, I'm trying to make my way to Copenhagen in October for the Association of Internet Researchers conference. If you've got a rich uncle looking to sponsor a rogue academic, give a girl a hollar.

You can read the chapter by downloading my thesis.

If you're interested in learning more about Carl Couch's symbolic interactionist approach to technology, I highly recommend his book Information Technologies and Social Orders which is a great read for those who like the works of Marshall Mcluhan or Walter Ong. Rather than merely making sweeping assertions such as Mcluhan's "media extend ourselves," Couch places these ideas within a social context and describes technology as a object which is continually being reconstructed through use and social orders. One might already see the connection to Second Life!

CEDAR FALLS, Iowa -- The Carl Couch Center for Social and Internet Research (www.cccsir.org) is pleased to announce the winners of the 2008 Carl J. Couch Internet Research Award. The Couch Award is presented annually and recognizes excellent student-authored papers.
Richie Neil Hao, a doctoral student in Department of Speech Communication, at Southern Illinois University Carbondale, is the First Place winner for his paper, "Virtually Tsinoy: Performing and Negotiating Diasporic Hybridity Online."
Angela Adkins, doctoral degree candidate in the Department of Sociology at the University of Akron, Akron, Ohio is the Second Place winner for her paper, "The Presentation of Self in Internet Forums: Face Work without Being Face-to-Face."
A tie for Third Place means that there will be two award winners in this category. They are Sara Hebert, a master's degree candidate in Digital Media Studies at the University of Denver, for her paper, "Your World, Your Imagination?: Representation and Social Expectations in Virtual Memorials;" and Vilma Lehtinen, a student in the Department of Social Psychology, University of Helsinki, Finland, for her paper, "Performing Diverse Social Relationships on a Social Networking Site."
The Couch Center established the Couch Award in 2002 as the centerpiece of an extensive awards program. Winning papers apply symbolic interactionist approaches to internet studies as advocated by the late Dr. Carl J. Couch, long-time professor of sociology at the University of Iowa.
Competition is open to graduate or undergraduate students of all disciplines, and winners are selected by a committee of university professors in communication studies and sociology from across the U.S.
This year's competition was rigorous, with entries received from students of all levels, from undergraduates through Ph.D. candidates, and were submitted by students from Europe, Asia, and Australia, as well as North America.
Winners receive a cash award as well as the opportunity to present their papers at a national or international conference. This year's awards will be presented at the annual conference of the Association of Internet Researchers in Copenhagen, Denmark, October 15-18.
The Carl Couch Center for Social and Internet Research is a non-profit organization established to promote the scholarship of the late Carl J. Couch and his academic associates. Couch is recognized as the founder of The New Iowa School in sociological and communication inquiry, and was a pioneer in the qualitative research of information technologies.
The Center provides networking opportunities for students and scholars who conduct social and Internet research, inspired by Couch's work.

Robinsonfilmcenter.org has launched!


I've been busy moving back across the country to Louisiana, but in the process, the brand new Robinson Film Center site launched, after much hard work and fun with Joomla! Many of you know I have a soft spot in my heart for the film center because of its ambitious media education program and brave programming in the deep south. They've been a blast to work with, and I highly recommend the popcorn salt that they use and keep at the concession stand for patrons like me.

Thursday, May 29, 2008

Musings for Memorial Day

I was away in the mountains for my first time for this year's memorial day. I had a hard day reconciling going out and having fun on a day that I should have been remembering the veterans that have fallen protecting and serving our country. Many of you who know me personally, know that I am not extremely patriotic, but that my research deals with America and how we grieve. I am patriotic in the sense that I love everything the United States stands for, but I am not proud of of the current state of government (which to me, makes me even more patriotic).

On Memorial Day, one of my favorite radio shows, To The Point, dedicated their show to a critical look at how memorial day came about, what memorial day means and how that meaning is shaped due to the current war. It is a very moving, smart and fair look at what Memorial Day means for us, a public torn between political views on the Iraq war and the value of human life.

One of the commentators (from Shreveport, ironically), Michael Sledge, mentions that in America we have lost national grieving, that is public grieving. I disagree slightly, as I believe we miss regular, healthy, productive and active public grieving. As I discussed in my master's thesis, spontaneous shrines for example, are very public methods of grieving that respond to public tragedy by becoming an amalgamation of private meanings. Immediately after a tragedy, the public creates these metatexts, but often these sites and tragedies don't retain their monumentality long term. The solution I think, is to build memorials that can reflect current collective memory of tragedies and can be responsive to the public needs. Unfortunately, our typical methods of materializations don't foster healthy remembrance, much like how Memorial Day has become a day for barbeques, and in my case, escapism to the mountains.

I could probably go on and on about why dedicating days to the memory of public tragedies and public figures doesn't work, but for the sake of brevity, please listen to the Memorial Day edition of To The Point.

Wednesday, May 07, 2008

Japan proposes a pay once royalty structure for mp3 players

Japan is considering levying a fee on manufacturers of mp3 players and HDD recorders. Such a fee already exists for devices with hard drives or other storage methods such as mini-disc recorders, DVD recorders and other digital devices:

While digital portable music players and HDD recorders face new levies, personal computers and mobile phone handsets designed for general purposes will be exempted, even if they contain recording functions, according to the plan.

The specific rates for the royalties will be determined through deliberations between the agency, copyright management groups and the manufacturers.

They are expected to be several hundred yen for each device, totaling several billion yen a year for the makers.

At Thursday's meeting, representatives of the manufacturers are expected to voice opposition to the plan because they do not think they can pass on the additional costs to consumers.

More about the proposal. Thanks _akira_

Doesn't seem like a bad idea, although its kind of like putting a big band-aid on a larger issue. While it would frustrate me to see these devices get even more expensive, it would be glad to know that no one's going to knock on my door and try to sue me.

Thursday, May 01, 2008

I has a master's thesis

I haven't been blogging much because I've been completing my master's thesis, Digital Memorialization: Collective Memory, Tragedy, and Participatory Spaces. I'm defending it next week on the 7th at 2pm in Sturm 434 at DU. I know pretty much anyone who reads this probably knows that already, but feel free to come by if you're a stranger looking for some knowledge.

Keep an eye on this space for more information. I'll also be continuing my research here.

Thursday, April 10, 2008

Are you a racist?

shooter001

This game was meant to test reaction times to suspects who might be carrying a gun. I apparently am a racist accord to the test, as my reaction time to white people holding guns was longer than my reaction time to black people holding guns. I'd like to note that "black" also appeared to include Latinos and possibly other "dark skinned" minorities. I could be wrong because I was too busy trying to tell if these guys were holding guns or not. The other thing was it wasn't really controlled at all, there were many backgrounds used in the game, and I don't know if the researcher is collecting information on this, but on some backgrounds it was harder to see a gun than others. Oddly enough, there's lots of images from Denver, so I was also a bit distracted by that. Anyway, my armed reaction times reverse it: I spent a longer time checking to see if Blacks were unarmed rather than whites. Pretty interesting study! I wish I could compare myself to other people. Feel free to post your scores in the comments.

Try it out here: http://backhand.uchicago.edu/Center/ShooterEffect/

Via Poplicks

Hurricane Katrina video tribute - with Anime!

While doing some research on a YouTube user that commented on one of the videos I'm examining in my thesis, I came across this video posted by a user that makes anime music videos. The producer created this as a tribute to the victims of Hurricane Katrina. This one uses images from Naruto, which I haven't seen so I'm not sure if there's some meta-textual story telling going on. Anyone familiar with the series?




Compare it to the one I'm looking at that uses the same song by U2 and Green Day:


They both use methods of production that are hot topics among scholars studying fan-created media - but they're both dedicated to the memory of the victims of Hurricane Katrina, and not about extending the fan-object's narrative.

(ps. Just a side note, but I'll be anxious to be done with this chapter and listening to music that I don't associate with Katrina. I treat myself to other tunes when I can right now, but man, I'm anxious to listen to a wider range! I think I could recite the lyrics to nearly every song in the videos I'm examining.)

Saturday, April 05, 2008

Maya Lin's last memorial is a piece of activist art.

Maya Lin, the architect of the highly influential Vietnam Veterans Memorial is producing only one more memorial during her career. This time it'll be to the growing number of endangered and extinct species with the purpose of educating and motivating the public to take action:

Lin would like her new memorial to have global reach. She wants to use the Internet, interactive media and a book to tell people specific steps they can take to spare the environment, like avoiding plastic bags, insisting on shade-grown coffee or joining a program to "adopt" an endangered species and help protect it. She wants to unveil donated corporate billboards in locations such as Times Square, with 20-minute videos with images of endangered species and places.

Does this mean she is crossing the line from artist to advocate?

Lin paused for a thoughtful moment. As a child, the burning of toxic contaminants on Lake Erie did spur her to environmental activism. She petitioned the Kroger Co., owner of Ralphs and Food4Less, to ban animal traps and advocated for Greenpeace.

"I've always said I present history. I don't dictate what people think," she began carefully. "I don't try to preach. This one, like the others, makes you aware of it: 'Did you know the sound of the songbirds, as we knew it when we were little, are gone?' But yeah," she added with a shrug, "Definitely, I will be giving groups and people things they can do in their everyday lives."


While I believe that most of Maya Lin's work is activist media in the way challenges the public's normal engagement with memorials; her reshaping of the memorial landscape into spaces of activist art will be very overt in this memorial. I'm anxious to see it come fruition and what sort of new media applications she'll be using.

Read more at the LA Times.

PS. This really just makes me justified in what I'm studying - Hopefully one day I'll be able to incorporate Lin's final memorial into an extended essay on how the public used networked on-line spaces to memorialize and as activist media and how the memorial institutions have incorporated this behavior. Exciting!

Monday, March 31, 2008

Whirlwind writing

Wow, I can't believe I haven't posted in so long! I've been hiding out, writing a bunch on other chapters of my thesis, and in general being an overworked grad student. I'm loving it, but I'm also looking forward to June 7th, when I finally get to wear that awesome hood and get a little piece of paper proclaiming me as a Master of the Arts.

Here's a small update on what I'm working on thesis wise. I'm taking a close look at two forms of video tributes, the very unorganized efforts on YouTube related to Hurricane Katrina and the very organized efforts of http://iraqmemorial.org. The reason I'm looking so closely at just two memorial efforts is because of the way both events are critical pieces at revising American national identity and collective memory. They also vary much in aesthetic and organizing - but both have ties to activist media in that they challenge the forgetting of these people/events. I'm excited to be drawing on resources from Pierre Nora to the fan vidding and vlogging community. I'm attempting to not just look at literature produced by academics, but also by new media producers and their respective communities.

Check out the memorials I'm looking at:
Videos from iraqmemorial.org:


Video tributes on YouTube to the victims of Hurricane Katrina:


For now its back to work for me, but I'm hoping to keep blogging a bit more about my thesis as time goes on. I'm also working with Joomla! quite a bit right now, learning templating and doing some customization for a pretty rad organization in Shreveport. You guess who. Anyway, I want to share a little review of what its like learning and working with an open source community from a designer/developer stand point - so keep your eyes out for that! Aaaaand a new portfolio layout! Productivity!

Friday, March 07, 2008

Presenting Thesis Chapter on the NIU Shootings and Online Responses

Today I'm presenting a newly finished draft of a chapter of my master's thesis on Social Networking Sites responses to the NIU Shootings.  Here's my fancy Google Presentation if you'd like to check it out:






There's also a preliminary investigation of the topic over at Pop + Politics. A longer draft is coming on Monday as well.

Thursday, March 06, 2008

Shreveport's Chimp Haven on This American Life

Shreveport has a chimp rehabilitation center that opened while I was in college there. I hadn't ever heard what it was like for the chimps there and it is fascinating. I haven't visited either, but now I want to. Check it out on This American Life's third act "Almost Human Resources":

Reporter Charles Siebert talks with Ira about retirement homes for Chimpanzees. Yes, retirement homes for Chimpanzees. There are thousands of aging chimps in the US: retired chimp actors, ex-research subjects, abandoned pets. They can't be put back in the wild since they don't know how to survive there. Charles Siebert visited many of the facilities where they're housed, often in rooms, with TV's and 3 meals a day. He's writing a book about his experiences called Humanzee. (11 minutes)
And the section on NY's Rubber Room is fascinating too.

Wednesday, March 05, 2008

Mediated Mourning?

I've been collecting all my notes on various academic works I'll be working with in my thesis, but in particular I love the complexity of Harriet F. Senie's "Mourning in Protest: Spontaneous Memorials and the Sacralization of Public Space." She deals with identity and the collective at the spaces of violent events in the article and it is fantastic. Here's a short quote:

Although, perhaps even because, public experience in our culture has been rendered private by television and the internet, many of us feel an overwhelming need to make real what is increasingly mediated - to recapture the here and now. To stand on the ground where something happened is to feel the reality of the event - to feel meaningfully linked to others and to history.

To some degree, Senie is correct - when these events are mediated the public reaches out and tries to connect somehow whether that's through donating money, collecting goods, making a pilgrimage, leaving an object at the physical site, etc. We experiencing mourning as something to act upon: we need to take action and just do something. However, I believe Senie alludes to the idea that media remove us from mourning and make it private. In my research, particularly with the online mourning community surrounding the NIU shootings, I see the complete opposite where people are finding online publics like Facebook to connect with other mourners without actually interacting in a physical space. However, they are making "real" what is increasingly mediated - but through the means of mediation. The profile picture changing, the mourning group joining, all the other new media production around the tragedy signals that the public is using the mediating technologies to become meaningfully linked to one another and to the history of this event. After all, isn't the Internet one big database with lots of joined tables?

Sunday, March 02, 2008

What it feels like when you're working on your thesis.


Here's a little humor in the vein of two of my non-academic interests: LOST and animated gifs.
But seriously, this is how I've felt lately working on my thesis.

Thanks, Chris!

Saturday, March 01, 2008

RICK ROLL mod in DOOM

Now you can rick roll in DOOM:

Friday, February 29, 2008

KRS One and Stop the Violence in New Orleans

KRS One visits a "camp site" in New Orleans as part of Stop the Violence's campaign to get the Hip Hop community involved in addressing global violence through education, critical dialogue, grassroots organizing and direct action. I've always had mixed feelings about KRS One's activism: is it genuine, does he really understand the complexities of these situations, what is he doing to create change and not just bring these issues to light. However, this video is really telling of the complex issues in New Orleans where there's no one group of people to blame - rather a complex system of governmental failures, issues of poverty and gentrification, land use, and natural disaster response.



Seeing this video reminded me of TED talk that I've been reading about from Philip Zimbardo (known for theStandford prison experiment) about his book The Lucifer Effect: Understanding How Good People Turn Evil (here's a nice interview from Wired). When people are put under intense pressure to survive or do their jobs, there are horrific things they'll do. While the scene with KRS One handing out money is a smaller contained example, this isn't something people would do normally but they're put in position where they're broke, homeless, hopeless, living in a city with a blind government and there's a guy handing out 20 dollar bills. What would you do?

via GRANDGOOD

Tuesday, February 26, 2008

BIL Conference is AMAZING

I wish this was just a few weeks later and I had a little more money or I'd go:

The Concept

BIL loves TED. TED is a great place to sit and listen to interesting ideas. Many of those ideas make it online, and millions get to experience them.

The catch for many of us is that TED is $6,000, which is too expensive for most people, including a great number with good ideas worth spreading. BIL has been created as a free space for people with ideas to come together and share them.

Our event is self-organizing, emergent, and anarchic. Nobody is in charge. If you want to come just show up. If you've got an idea to spread start talking. If someone is saying something good, stop and listen.

We hope BIL can be a perfect match to TED.


Link

Sunday, February 24, 2008

CMW Records Logo



I'm really happy to present a logo I've been working on for Creative Music Works, which sponsors space for education and innovative performances in Denver. They're starting a record label for similar artists and I have to say, I've always wanted to design something for a record label! They've also been the most pleasant clients I've ever worked with.

Wednesday, February 20, 2008

An in depth look at the Northern Star at NIU

Fresh Cut has a great video documenting how NIU's student run paper, the Nothern Star operated the day after the shooting. Apparently they knew who the shooter was before CNN and utilized Facebook to gather information about the victims.

SLSA site redesign live


The SLSA site redesign went live today, and I'm happy with how the project has turned out. The folks at SLSA are brilliant wonderful people and its been great working with them to implement a new website design and a Joomla interface to handle their resources, blog, email archive and newsletter.

Tuesday, February 19, 2008

NIU community successful in blocking WBC protests

Looks like the groups that utilized Facebook and other social networking sites were able to band together with local law enforcement to avoid any major confrontation at one of the NIU victim's funerals:

"When this is what you do as your hobby, as your leisure time, this is what you spend your money on," said Paulette Phelps, daughter-in-law of Fred Phelps, pastor of the Westboro Baptist Church. "This is our vacation. This is our fun time."

In spite of their inflammatory signs, including one that read, "God sent the shooter," their protest took place almost without incident.

The only exception was when a mourner shouted at the protesters from behind a police barricade before being led away by police.

The presence of several dozen police officers from departments throughout the county seemed to effectively prevent any confrontations between the Westboro Baptist Church and mourners.

A row of St. Charles snowplows formed a physical and highly visible barrier between the park where the protesters were assembled and the east entrance of the church.

About 40 officers from the Kane County Mobile Task Force, in riot gear, stood guard around the park to protect the mourners from the protesters.

"They have the ability to express their freedom of speech," St. Charles Police Chief James Lamkin said. "We wanted to make sure there was nothing that would disrespect the funeral."

About 15 students from around the suburbs were on hand to express their disgust for the protesters' message.

Read more.

Article on Pop + Politics

I'm completely flattered to be asked by Pop + Politics to comment on the NIU shootings last week and how mourning has manifested on social networking sites. Its a fantastic blog with some really wonderful news and writers. Here's an excerpt from my article:
Activism also plays into online memorials, perhaps more intensely than it does for physical memorials. Nearly all of the Facebook and MySpace memorials address the Westboro Baptist Church’s announcement that “God sent the Shooter…WBC will picket their hypocritical funerals & memorials & "vigils."” WBC pickets many vigils, memorials, funerals and public gatherings in response to mass tragedy and loss such as the funerals of soldiers, hate crime victim Matthew Shepard and other school shootings because the church sees these events as God’s “Wrath & Vengeance Against an Ungrateful Nation that has Forsaken Him & Embraced Filthy Fags.” In response, there was a call from members connected to the Facebook and MySpace memorials to set up a counter-protest and later promote when and where the counter-protests would take place:

Monday, February 18, 2008

Barack Obama Is Your New Bicycle



barackobamaisyournewbicycle.com
hillaryclintonisyournewbicycle.com

Lovin' this new meme! Although obviously Obama-biased, both sites relate the awesomeness of Barack Obama to the joy of getting a new bicycle - or so I'm able to ascertain!

Thanks tstiles

Tuesday, February 05, 2008

YouTube and Academia?

YouTube - Juhasz Final Video

I'm slightly frustrated by this video posted by a professor who utilized YouTube in her class to get her students to think about media critically. She's very honest about her frustrations and successes within the course. Here's an outline of the five points she makes in her video about why her experiment with YouTube in the classroom wasn't successful:

1. YouTube is a new media form surrounded by speed and efficiency. Doesn't allow extended dialogue which is what academics specialize in.

2. Humor and sincerity are important qualities of YouTube videos. Attempting to communicate something in a logical structured format isn't considered successful.

3. Popularity is a fundamental organizing strucutre for YouTube (corporate and people's viewing experience). Searching for this popularity leads to meritocracy. "There is a certain amount of talent that is needed to produce things that rise up and above the noise."

4. YouTube sells us the same type of commercials that other media sell us, but in a slicker mode. The corporate imperative causes this. YouTube is a "big TV." Policing organized around the most mediocre mainstream middling ideas of the culture, everything that falls to the outside is suspect and easy to remove.

5. There is a second world, niche micro communities, who produce radical culture and media outside the logic of YouTube and isn't well supported by YouTube's structure. It needs to find a new community that will support building an infrastructure for dealing with (I'm paraphrasing here)"asking the harder questions, saying the hard things that need to be said...and hold on to the terrain that is slipping away as corporate culture and mainstream culture take away our energy."

How do you feel about Juhasz's comments? I know that I haven't taught or participated in a class that used YouTube as it's main source of communication, but I will say personally, it is examples such as this that make me never want to teach within a university setting. Her 5th point really gets under my skin, which I interpret as "Academia needs its own ivory tower mode of discussion and YouTube isn't good for anything except videos of cats." Wow... what about media literacy projects like this, political activism and education like this, or smart détournement like this, or citizen media like this.

Yes, there are lots of stupid things on YouTube and they don't develop a discussion and most users probably don't think critically about media but becoming a producer of media is the beginning of that (in my opinion...maybe I'm wrong). I think it's a fantastic entry way into a smarter, more critically minded, accessible dialogue about media production.

Friday, January 25, 2008

Heath Ledger Facebook Memorial Group


I was wondering how long it would take for a social networking memorial to Heath Ledger to surface. It looks like it started immediately. This really shows some same qualities that spontaneous shrines have:
  1. Lots of media or objects related to the person that died. Here on Facebook, there's movies, news media, images, user created media, sentiments from people ("I still can't believe it..."). There's a wide range of expressions from disbelief to claims about the validity of a suicide attempt. It is absolutely fascinating how rapidly this amount of information has been put into one place based on one tragic event.
  2. Mourning in protest. There's some interesting discussion around random bits of media saying that Ledger is in hell because of his portrayal of a gay man in Brokeback Mountain. There are so many expressions of outrage at this claim made by some evangelicals, that it almost seems like the discussion thread on the memorial page has become a space for supporting gay rights. Take a look at this:
"Are people so ignorant these days that they will allow a person to be typecast for a character he portrayed and not the man he truly was? This man was a wonderful father and caring human being. He most certainly is headed nowhere near hell. Shame on these awful people for printing and saying such blasphemy. His sexual orientation (which was heterosexual by the way) should not determine his value as a human being. Have some respect for his family during this difficult time."

Tuesday, January 22, 2008

Memorializing Women

Lately on national holidays I've been thinking about something I read and had an "Aha!" moment. John R. Gillis notes in the introduction to his book Commemorations that there are no national holidays for a woman in the US (he also notes to the lack of them in other countries).

I'd like to propose a list of women who deserve national recognition for their dedication to the freedoms of US citizens:

  • Elizabeth Cady Staton who wrote the Declaration of Statements was vital to the women's suffrage movement and was a social activist.
  • Susan B. Anthony, another woman who played a vital role in the women's suffrage movement who has her own coin - ironically associating women with ownership and property once again.
  • Another other woman involved in the women's suffrage movement who didn't oppose the 14th and 15th amendment openly and wanted to see rights extended to all citizens, irregardless of sex or race, like Carrie Chapman Catt. My vote goes to Catt.
  • Rosa Parks, African American civil rights activist who capitalized on civil disobedience. There's been lots of attention to her work due to her recent death. There's lots of people honoring her - just no national holiday.
Anyone else I'm missing?

It seems more common to commemorate women through objects (coins, statues) rather than through living memorials such as national holidays or large public spaces (parks, buildings).

Wednesday, January 16, 2008

Benazir Bhutto Memorial in Second Life


There was a memorial service on Jan. 6 and a hopefully lasting memorial dedicated to Benazir Bhutto in Second Life. I haven't visited yet, and while this is more of a note for my own research, the quotes from two articles (Second Life Herald and GamePolitics) are extremely interesting. Here's a few making really poignant statements about the complicated method of memorialization in participatory spaces:

I give it approximately 10 minutes before it's covered in dicks. Posted by: Alyx Stoklitsky

...Regardless of how...complex...we might feel Mrs. Bhutto and her husband were in their nation's complex politics, we still can't but feel sorry and condemn this summary execution by terrorist forces. It should be thoroughly examined and Scotland Yard shouldn't be the entity doing the forensics.... Posted by: Prokofy Neva

BlackIce, Dragunov Marksman Says: Let’s hope it will stand for a little while.
lumi Says:I think this is a much better political use of SL than any of the campaigning garbage that’s been going around. I wonder if there’s some way that “Second Security” could be arranged to prevent it from being defaced. LL might want to look into that as a future service if it doesn’t already exist.


Thanks Josh!

Friday, January 11, 2008

Mr. Quintron's Drum Buddy

I'm stoked to see Mr. Quintron's Drum Buddy being featured on Boing Boing. Quintron lives in New Orleans, and definitely represents some 9th Ward pride. One of my favorite "swamp tech" songs of all time is "Witch in the Club," which you can check out on his MySpace. The Drum Buddy is an amazing machine: an analog drum machine that creates sound out of light.

Check out Quintron on the Drum Buddy:

YouTube - QUINTRON/MISS PUSSYCAT

A Drum Buddy Demo:

YouTube - Drum Buddy Demo

Mr. Quintron and Ms. Pussycat get interviewed:

YouTube - Quintron & Miss Pussycat

Reel to Reel Tape Cutting

I've always been curious as to how this worked, and this YouTube video is really illuminating - I've gotta get a Reel to Reel!




Via GRANDGOOD

Wednesday, January 09, 2008

WaPo makes a mistake according to the RIAA

The Washington Post reported the other day that a man in Arizona was being sued by the RIAA for ripping a CD on to his computer. The RIAA says WaPo got it totally wrong, and that the illegal act was placing it into a "shared" folder for a filesharing program to access. The most interesting part is that Cary Sherman, the President of the RIAA, makes an evasive move in regards to the question whether or not its OK to copy music to your computer:
I think that is a question you just can't answer in the abstract. That's the problem. There are a hundred hypotheticals you could come up with to try and come up with whether its legal or illegal in this particular set of circumstances. And you can go down that path trying to figure it out case by case and it just makes you realize that sometimes the law just isn't as clear as you'd like it to be.
We can't speak for all copyright owners and say whether its legal or illegal. And Its going to vary from case to case anyway. Copyright law whether we like it or not is very complicated, but that's why we're tried to make clear.
Hear it here.

I sympathize with Sherman, because the RIAA was misrepresented, even if copyright law hasn't kept up with technological advances. I freaked out after reading the article and even told my activist media class that ripping CDs was now considered illegal. I hope that this misreporting will lead to better journalism and free, accessible, and useful adult education on copyright. I feel that there's too much of a focus on children and teenagers when it comes to media literacy when there's a huge demographic of adults who just don't understand (myself included and the RIAA) the repercussions of exponential technological growth. Media literacy groups must reach out to adults in order for a big faux pas like WaPo's to be avoided in the future.